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Performances

Tuesday 21st April

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​Full programme notes will be provided at each event, detailing the programme and offering additional background on performers and music.

Time:   10:00  -  11:00

Songs from Shakespeare by Mario Castelnuovo Tedesco, Kenneth Leighton & Erich Korngold

William Drakett studied singing under Prof. Konrad Jarnot at the Robert Schumann Conservatoire in Düsseldorf, following organ and harpsichord studies at the Royal Birmingham Conservatoire. His vocal studies have been further enriched by masterclasses with artists including Brigitte Fassbaender, Juliane Banse, Hans Eijsackers, Neal Davies, Eric Schneider, Christianne Stotijn & Henk Neven.

William has a particular love of the art song repertoire, and enjoys collaborating with pianists including Hans Eijsackers, Benjamin Mead, Edward Picton-Turbervill, Simon Carrey & Reinild Mees. He now lives in Wells where he is a Vicar Choral in the choir of Wells Cathedral, and continues his vocal studies privately with John Evans

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Time:   15:00  -  16:00

Shakespearean Music for 'Broken Consort'

Bloomsbury Baroque Ensemble led by William Summers

Based near Tavistock Square, Bloomsbury Baroque is an ensemble of some of London’s finest historically informed musicians. They perform on period instruments with a mission to illustrate the cultural life of the eighteenth century – and earlier - through an exploration of the vast wealth of repertoire of that era. For this recital for our Festival they concentrate on music relating to Shakespeare and his legacy. 


The Ensemble is composed of Philippa Hyde - soprano; Diane Moore - baroque violin; William Summers - baroque flute and recorder; Ibrahim Aziz - bass viol, and Yeo Yat-Soon – Harpsichord.  

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Time:   12:30  -  13:30

Shakespeare Drinking Songs

 

Jennifer Waghorn

 Jennifer Waghorn is a theatre history researcher and musician. Her doctoral thesis explored the original music of Shakespeare’s theatre company and the seventeenth-century composers who worked between the theatre and the court. She has published work on music in seventeenth-century theatrical revivals, Shakespearean actor-musicians, Shakespeare as "corpse and corpus", and the lives of early modern women connected to Shakespeare’s theatre company. She has provided edited music and commentaries for critical editions of early modern plays and has advised on music history for RSC productions since 2018.   She previously worked as a Lecturer for the Shakespeare Birthplace Trust, and currently works for the Birmingham Museums Trust

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Tuesday 21st April

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